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April 2004
Volume 18,
Number 4

Bold Spirit: Helga Estby's Forgotten Walk Across Victorian America, by Linda Lawrence Hunt. University of Idaho Press, 2003, 300 pages.


Walking Into Herstory

by R.W. Bradford

I love reading books about road trips, especially when there is more to a trip than getting from point A to point B, and I have a fascination with American social history. So I was thrilled to learn about "Bold Spirit," advertised by its publisher as the story of a Norwegian immigrant woman who in 1896 "dares to cross 3,500 miles of the American continent to win a $10,000 prize. On foot . . . The money was needed to prevent foreclosure of [the] mortgage [on her family's home]. . . . Leaving with only five dollars each and dressed in full-length skirts, [Helga Estby and her daughter] follow the railroad east . . . "

R.W. Bradford is editor and publisher of Liberty.

So I got the book and eagerly began to read it. Linda Lawrence Hunt tells the exciting tale of the two women crossing the country, a story, she said, that had been suppressed so effectively that the only traces of it lay in the memories of Estby's family and newspaper accounts of her visits to towns along the way. Time and again, Hunt has to resort to speculation about what happened and why, to so great an extent that it is difficult to believe that her account even remotely resembles history — at least if history has much to do with discovering and telling the truth about the past.

Since nearly all the documented evidence comes from newspaper stories whose origin was Estby herself and the stories that she provided the reporters in one city sometimes contradict the stories she told reporters in other cities, the story has hardly any credibility at all.

Estby claims, for example, to have gone on the long walk from Spokane to New York, in order to get an award of $10,000, the very premise of the book. Well, who offered the award? Estby told reporters in one town that it was offered by "a wealthy woman" from New York, but told another it was offered by "eastern interests." She told other reporters that she had a "written contract," and still others that she and her daughter were required to wear a particular kind of "bicycle skirt" because the unnamed party wanted to prove the "endurance of women."

She told numerous reporters that the deal required that they walk all the way, though she eventually said, after being observed hitching a ride on a wagon, that it only required that they travel without riding on a train. The closer she came to New York, the vaguer she got about the details of the promised reward, and when she finally got there, no reward was forthcoming, a fact that didn't seem to surprise or upset her very much.

Happily, the family homestead escaped foreclosure, undermining the credibility of Estby's rationale for the venture. But the family was not without tragedy while she was away: her youngest child, still a baby, died while she was on her trip, an event that she exploited, like many elements of her story, to appeal for funds from newspapers.

By the time Hunt is through adding surmises to fill in the gaps in the historical record, Estby has emerged as a heroic mother and pioneering feminist, courageously going on a dangerous mission to save her family's home. It never seems to occur to Hunt that Estby may have been a publicity hound who abandoned the hard way of living she had chosen for herself in rural eastern Washington for a more glamorous life as a celebrity.

Estby had abandoned her husband and family on at least two other occasions. Hunt mentions this fact, which she learned from letters written by Estby's abandoned children, but dismisses it by theorizing that "perhaps [her absences] were to help her mother in Wisconsin after her stepfather's death." Perhaps they were. But perhaps they were earlier attempts to escape the man she had married and the children she had borne.

It's not that Hunt has deserted the conventions of history. "Bold Spirit" is filled with footnotes and has an extensive bibliography. The problem is that nearly all of the references are about events largely external to the story. I was reminded of the idiot anti-Semitic conspiracy books I encountered as a teenager. They too teemed with footnotes and had excellent bibliographies. But when I read the notes, I'd discover that a claim like, "Of Germany's 41 million people in 1870, only 2 million were Jews, but they secretly controlled the government and kidnapped Gentile babies to suck their blood at secret rituals," was supported by an old Encyclopedia Britannica entry documenting Germany's total population and Jewish population but (what a surprise!) making no mention of secret Jewish control or Jews sucking baby blood. Hunt doesn't write on that scale of lunacy, but she documents details like the population of Spokane and the emigration of Estby and her parents, while leaving undocumented all sorts of details that are critical to her account of the trip, her heroic interpretation of Estby's life, and the pernicious suppression of Estby's story by her family.

Me? I'm not going to conclude that Estby was a publicity whore who went on her escapade to escape the life she'd made for herself and then suppressed her own story from the shame of realizing that her action had resulted in the death of one of her children. But after reading "Bold Spirit," I think that hypothesis is as consistent with the actual facts that Hunt offers as Hunt's own theory.

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