A Visit to Noah’s Ark

 | 

The tourist season is almost over, but I’m making plans. I’m also thinking about last year’s acts of tourism. I’m remembering the sunny day in September when I visited Noah’s Ark.

The Ark is the central feature of a sort-of-theme-park called Ark Encounter, in Grant County, Kentucky. It’s a wooden structure — possibly the largest wooden structure on earth — built to the dimensions prescribed in the sixth chapter of Genesis. There aren’t any live animals inside (at least I can’t remember any); they’re in the zoo next door. But there are full-scale models of animals in various kinds of enclosures. There are also models of Noah and his family, going about their lives on the Ark: caring for the animals, fixing meals for themselves, relaxing in their comfortable onboard cabins. Ramps lead from level to level, where one finds “scientific” exhibits, restrooms, and two theaters with continuous showings of movies. In the first theater, Noah is interviewed by a skeptical antediluvian reporter and explains how and why you would build an ark. In the second theater, a 21st-century ark advocate is interviewed by a reporter who is (I think) played by the same actress who played the ancient one. She also is skeptical and needs to be converted to the idea that the biblical account is literally true. I assume the conversion happens, although I left before the movie was over. Her snarky postmodern attitude was less congenial to me than the religious credulity of the rest of the Ark.

But “credulity” isn’t exactly the right word. For me, a charming aspect of the place was the scores of exhibits providing ingenious answers both to obvious questions and to questions that, I’m embarrassed to say, had never occurred to me.

  • How did all those animals fit into the Ark? Well, they didn’t represent species; they represented “kinds,” which are fewer and are capable of developing (not evolving) into more than one species.
  • How did all those really big animals fit inside? Well, Noah probably took the young, small ones. I hadn’t thought of that.
  • How could you carry food to all those animals? You could use lots of pulleys and dumbwaiters.
  • How could you remove all the dung from those animals? You could use lots of pulleys and dumbwaiters.
  • How could a family of eight take care of thousands of animals? It’s not too hard, when you figure how much work a normal man or woman can do in X number of hours . . . .

The continuous display of cleverness delighted me. It went a long way toward illustrating Chesterton’s observation that the last thing a crazy person has left is his logic. But the builders of the Ark aren’t crazy; their ideas are just naïve and innocuous, and the Ark lets you see how far naiveté and innocuousness can get you in America, and how much charm you can gather along the way.

The reporter's snarky postmodern attitude was less congenial to me than the religious credulity of the rest of the Ark.

The Arkists optimistically predicted that they would be visited by 2.4 million people during their first full season, which was 2017. When I visited, they’d gotten only about 1.5 million, maybe, and it was late in the season. I was concerned that their great enterprise might have a short life, despite a (to me) very regrettable but somewhat shaky subsidy from a neighboring town. But there’s a wall inside the Ark that shows the names of people who have contributed various amounts for its construction, and it’s a very long wall. The Ark came to rest within easy driving distance of Louisville, Lexington, Dayton, and Cincinnati, and that’s a church belt. Visitors to the Ark whom I saw were very “diverse” — whites, blacks, Asians, beards, bikers, families of nine. The only solo visitor was me. So the audience is large, and just when I was thinking that a lot more people could be packed into the Ark, I went to the restaurant outside, and there were hundreds more of them in there. More than in the Ark itself. They may not be museumgoers, but they are sure as hell good eaters.

I hope they eat their way to heaven. Their idea of Christianity isn’t mine, but their spirit of voluntarism enchants me. You want to build a giant ark? You want to make it pay? I’m with you — see if you can. And this is an American thing; you can’t imagine it happening in France. Maybe I’ll visit again this year.

The visitors may not be museumgoers, but they are sure as hell good eaters.

My pilgrimage to the Ark last year began with a visit to my ancestral homeland, a county in Southern Illinois where my family has lived since 1816. I myself have never lived there; my parents left before I was born. But I’m related to all the old families, and I like to see what’s going on. In the early 1890s my father’s father built a house on the main street of one of the county’s little towns. That house passed out of the family a few years ago, after the death of my beloved aunt, the last of my grandparents’ eight children. Next to her house are (going south on Main Street) two other big old houses and then the Methodist church, where my grandparents taught Sunday school. The church seems to be doing all right, despite its fluctuating congregation, but much of the rest of Main Street has been torn down, hideously altered, or left derelict. The town’s population has been declining since 1910, and the working population has been declining still more disastrously. The old families, who were poor, by the world’s standards (my grandparents never owned a car), are being replaced by people on welfare, many of whom have no standards. I’m sorry to say that, but it’s true. If you want to see used up sofas stashed in the yard, I can show you where to go.

Whenever I visit, I brace ourselves for some more sad social and architectural news, especially about those two houses next to my grandparents’ place. They’ve been empty for years, and before that they were subjected to destructive attempts to “modernize.” If you’re brave enough to step onto the sagging wooden porches and look in the windows, what you see is broken glass, naked lath, once-friendly rooms returning to a state of unfriendly nature.

Their idea of Christianity isn’t mine, but their spirit of voluntarism enchants me. You want to build a giant ark? You want to make it pay? I’m with you — see if you can.

But this time, I saw a truck out back, and a man walking toward me: “Can I help you?” I explained myself, we shook hands, and I learned that this man was there to help the houses. A 50ish gentleman from an even smaller town about ten miles up the road, he had purchased both properties from the bank (or some other entity on which possession had devolved), because he liked them and wanted to restore them. More important, he had the skills to restore them. He had learned those skills decades ago, when the local high school actually taught students how to do things. It offered courses — excellent courses — in all the construction trades. Every year, students built a house from scratch, and sold it. If anybody can do something for old family homes, a graduate of those courses can do it.

I don’t know whether this man will succeed. I don’t know whether the Ark Encounter will succeed. Both seem romantic and quixotic to me. Nothing could be more different from America’s Towers of Tech or its Mordor of urban “housing” than these vernacular architectural enterprises. They are the creations of individuals, not of the state or the lackeys of the state.

I live in coastal California, and I’m often surprised to discover that no one here ever goes to the Midwest, the real Midwest, or any portion of California that isn’t built of concrete and steel. I know I could say something similar about the travel habits of people from New York or Boston or Washington, or even Chicago. But the Midwest I’m thinking about has nothing to do with physical geography. It has to do with the geography of the mind. There are places in the mind where everything that is done has to be done by some enormous, statelike thing. And there are places in the mind where individual people still do things, because they want to. Those places I call America.




Share This


Yum

 | 

This election year has been full of odd little funny things. It’s like a buffet loaded with wilted salads and overcooked chicken — but down near the end of the table they’ve laid out some tiny, tasty desserts.

One of these delicious offerings was the response of someone named Alison Lundergan Grimes, the Democratic nominee for Senate from Kentucky, when she was asked, in an editorial conference at the Louisville Courier-Journal, whether she had voted for the much-detested-in-Kentucky Barack Obama. Over and over, she refused to provide an answer, blathering instead about what the election is really about, slamming her opponent, and saying that she “respect[s] the sanctity of the ballot box” (an odd way of indicating that although you want to go to the Senate and vote all the time, you won’t say how you voted for president). In this case, the hardcore partisan decided (and it was a decision, because her response was immediate and well-rehearsed) that hiding from her own party allegiance was worth the price of looking like a clown. Either that, or she’s so stupid she didn’t realize that she’d look like a clown. Anyway, it was a hilarious performance.

A few days before, Republican activists had secretly recorded conversations with activists in the Grimes campaign, including a major donor. They then shared these conversations with the national audience — chiefly comments about how Grimes was lying all the time about her support for the state’s leading industry, coal. Her reason? Otherwise, you dope, she would never get elected!

Who can withstand the force of arguments like that? Who can resist the comedy of people working in a moralistic cause while espousing a philosophy of amoralism?

Even funnier was an editorial statement that appeared in the Louisville Courier-Journal, in which the paper’s politics writer explains why it wouldn’t publish anything about the Republicans’ conversational adventures. You can read the statement for yourself and assess the reasons. But the first thing you’ll notice is that in explaining why the paper won’t run the story, the writer goes ahead and recites the whole thing!

As the waiters say: here’s your dessert — enjoy!




Share This
Syndicate content

© Copyright 2019 Liberty Foundation. All rights reserved.



Opinions expressed in Liberty are those of the authors and not necessarily those of the Liberty Foundation.

All letters to the editor are assumed to be for publication unless otherwise indicated.