Tight shot on the face of a man sleeping. His eye snaps open, and it is yesterday morning — again. He rises, and the day unfolds exactly as it did the day before. No one else knows that the day is being repeated, but he remembers, and he reacts. Each time he learns the best way to react in order to get where he wants to be. With eternity to learn and an infinite number of do-overs until he gets it right, the man develops skills, enhances relationships, and eventually gets the girl.
Groundhog Day (1993) is one of my favorite movies, but that’s not the film I am reviewing here. Edge of Tomorrow relies on the same premise of a neverending loop in which a man wakes up day after day in the same place, facing the same dilemma, surrounded by the same people doing and saying the same things. But he changes and grows with each repeated day.
As the film opens, an alien force has invaded Europe, burrowed underground, and started spreading across the continent toward England, China, and Russia. Enter Major William Cage (Tom Cruise), a media specialist with the Army who started in ROTC and rose to the rank of Major through office successes; he has never trained for combat, and he has no intention of going to war. When commanded to go to the front lines of a beach invasion in Normandy, he bolts. When next we see him he is handcuffed, stripped of his rank, and forced to join J Squad on the day they are going to invade France. He has no training with weaponry, doesn’t even know how to disengage the safety, and buckles under the weight of his heavy armor.
It is an unusual treat to see Cruise playing a terrified coward who doesn’t know how to fight, since he usually plays the tough guy who is cool as a cucumber under pressure. Of course, before long he is using his repetition of days to build up his skills and learn how to fight so that he can save the world. It’s an impossible mission, but someone has to do it. Helping him is Lt. Rita Vrataski (Emily Blunt), a war hero known as the Angel of Verdun because she almost single-handedly vanquished the alien enemy in a previous battle. That’s because Rita has also experienced repetition of days and used her repeated experience to anticipate the enemy’s moves. Together she and Cage fight to reach the source of the alien force and destroy it.
The story line is reminiscent of a video game in which the player adopts a character on the screen and fights through several different levels to accomplish a goal. Each time the player “dies” he has to start over, and each time he plays, he gets a little further in the game by remembering where the booby traps are. Often players work together, telling each other which tunnel or path is safe and which one has a lurking danger. Cage and Rita work together in this way, remembering what happened the “previous day” and moving further each time toward their goal. When Cage says to Rita at one point, “We’ve never made it this far before,” it sounds exactly like my munchkins playing Mario together.
It is an unusual treat to see Cruise playing a terrified coward who doesn’t know how to fight.
This video-game reference does not trivialize the film; it simply gives the viewer something more to ponder about metaphysics, the nature of life, and what you might do if you could see into the future and learn from your mistakes. A do-over once in a while could make all the difference.
Santayana said, “Those who cannot remember the past are condemned to repeat it.” Director Doug Liman has remembered and learned from the past. While Edge of Tomorrow borrows heavily from the concept of Groundhog Day, it is not doomed in any way. Moreover, Liman brings to this project a strong history in action films from his work directing the Bourne series. Edge of Tomorrow is fresh, exciting, and compelling. The references to the storming of Normandy give it a sense of gravitas missing from most modern action films (it was even released on June 6, to coincide with the anniversary of the invasion). The threat of a lurking menace that spreads unseen and underground until it has become unstoppable and can enter one’s mind gives the audience a sense of personal investment while suggesting that the enemy is a thought or philosophy, not an army. Even the solution for stopping the enemy — that is, getting inside the enemy’s mind and understanding his perspective — is also a powerful lesson for modern warfare. Edge of Tomorrow works on every level.
