The Tyranny of the Sensitive

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It has been a tough month for free speech on campus. A Yale professor was ostracized for her reasoned response to the campus’ censorship of Hallowe’en costumes. A University of Missouri professor called for “muscle” to oust a student journalist trying to cover a campus protest. And over a hundred Dartmouth students swarmed the campus library to curse and bully other students who chose not to wear black clothing and join their protest. Several professors and administrators have been forced to apologize or resign, while others express nervousness over how to continue challenging their students to think critically and learn well in an environment of increasing intimidation.

This unrest roiling on campuses provided an appropriate backdrop for the documentary Can We Take a Joke? when it premiered at the prestigious DOC NY film festival in mid-November. Apparently, no — we can’t. Not any more. The right not to be offended seems to have trumped the right to say what we think. And young people seem to be leading the way toward censorship and controlled speech. According to Greg Lukianoff, executive director of FIRE (Foundation for Individual Rights in Education), fully 47% of 18–34 year olds said they think the First Amendment goes too far. “That’s terrifying to me,” Lukianoff says.

It should be terrifying to all of us. Penn Jillette observes, “Outrage has become a powerful political tool for shutting down dissenting voices.” Comedian Jim Norton adds, “There is a strange sense of empowerment in being offended.” Jonathan Rauch of the Brookings Institution warns, “One of the first ways you know a society is turning authoritarian is the comedians start to worry. When they start going for the comedians, everyone else needs to sweat.”

The right not to be offended seems to have trumped the right to say what we think.

Well, start sweating, because comedians have indeed become the target. Ted Balaker, director of Can We Take a Joke?, interviews more than a dozen comedians about their experiences not only on college campuses but in comedy clubs and on television. Many tell chilling stories about being shouted down and even threatened with physical violence and arrest for saying things that the shouters consider offensive.

Yet other people go to a comedy show for the very purpose of being outraged and offended. They delight in it. Lisa Lampannelli, known as the “Queen of Mean,” is about as outrageous and offensive as they come. Her act makes fun of every ethnic group and social minority. Nothing is “off the table” for her, including rape, HIV, and cancer. She says she uses humor to help people confront fears and stand up to them. She reports that people will call her ahead of time to say, “My friends and I will be in the fourth row on the right. Please make fun of us!” Others are not so fortunate.

But if you think you’re immune from the Outrage Police because you aren’t a comedian or public figure, think again. Social media has turned us all into public figures. Can We Take a Joke? also tells the story of Justine Sacco, a young woman who tweeted an ill-conceived joke just before boarding a plane from Heathrow to South Africa. By the time she landed, her tweet had spread around the world; her employer had fired her; and angry cybermobs were issuing death threats against her and her extended family. Two years later she still cannot work, date, or go out in public because her unfortunate history is just a Google search away. Jon Ronson, author of So You’ve Been Publicly Shamed, warns, “We are all just one dumb joke away from sharing Justine Sacco’s fate.”

If you think you’re immune from the Outrage Police because you aren’t a comedian or public figure, think again.

Lukianoff laments, “I interned with the ACLU and studied censorship back to the 16th century, but nothing prepared me for how easy it is to get in trouble on the modern college campus.” Comedian Karith Foster adds, “College is supposed to be a place where you grow and explore, where you find out who you are and find your own voice.” Sadly, college campuses are turning into a place where voices are silenced, and it’s coming from the students, not from the administrators. Like many of his peers, comedian George Carlin stopped performing on college campuses. “I hate to say it, but all the censorship is coming from the left. That caught me by surprise,” he said.

Can We Take a Joke? is an important film that asks us to open our eyes to the progress that is lost when voices are silenced by force rather than changed by persuasion. “Words can be offensive and hurtful, but they are not the same as violence and they can be countered by other words,” Rauch reminds viewers. Watch for the film in theaters over the coming months. We also hope to screen it at the Anthem Libertarian Film Festival in July.

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